-B Hariharan and Purobi Tara Chowdhury

Who am I to judge? Does one have to judge at all? It is true that an argument is shaping up strengthening a case. Let us realize that it cannot be dispensed with so easily; it is in verse here, it can get worse. A Daniel can come to judgment but poets do not. A poem can only be presented before the listener/reader. S/he, in turn, listens/reads to discover the thoughts that come up at that point or even later. Thoughts are not judgments. To have thoughts is the first step to some kind of perception, of understanding. For this reason, to see the elephant one must go to the other room, one must learn to see, and one must learn how to listen; to tell the truth, it is a different story.
The eight poems that evolved contrapuntally tried to see and listen to the elephant that walked into the other room. The elephant is a possibility in poetry. Or still, it is the dance of the elephant on the pages, in our minds. Instead of passing any judgment, O reader, shake a leg and learn how to dance with your elephant. Then you will see the elephant in the room.
The Elephant in Hiding
The elephant hides in full view of the public
In an endless, elephantine, epical catalogue.
Some elephants march on highways,
Gorge rice from fair price shops
Or relish jackfruit and bananas.
Some are called stylish names after blockbusters
While others discover chains in festival grounds.
Some try to draw the elephant blind-folded
Which is much more than a game.
Others petition the courts
But no elephant takes the witness stand
For the question has to do with who should see!
I forgot to tell your lordship that
The elephant is in another room.
-B Hariharan

I teach at the Institute of English, University of Kerala, Thiruvananthapuram. Apart from the scholarly pursuits, I’ m a published poet. The Journal of Literature & Aesthetics, Dusk to Dawn: Poetic Voices on the Current Times South Asia and Beyond. What Else is Rain? A frontline Anthology of Contemporary English Poetry from Kerala.
Theatre continues to interest me and I have worked with my students and staged some plays ranging from Bhasa’s Madhyamavyayoga to Sharon Pollock’s The Komagatamaru Incident.
The Tusker’s Task
My Lord
I, Elephas, have been tasked
To carry my weight in gold
When merchants have felled timber
In a manner so bold
With no thought of land nor deed
Our herds need no title deed.
Man who has an infinite need
For labor and land, beyond all greed
Now cries foul as I stand my ground
And so it is that I am bound
To petition your Lordship from this pedestal
For who other than you, in the name of justice
Can the human stall, when man kills fellow creatures
And point out in verdict, that the game
Is not fair at all
Not to our ancestors, both yours and mine
When man seeks to bring down this planet
By design divine.
Do not worship me or dress me up
Or chant paens in praise
When you leave me in a daze
When in elephant corridors I am knocked down
As I move along with the herd to graze.
Do not hide your sins, the game is up
This is my clarion call, as I trumpet away
Your Lordship, I plead with you
Save our planet and the day.
I , Elephas, who have walked the Earth
For 55 million years, when it was green
Plead before your Lordship
Hear my plea, even though I may be unseen.
By Purobi Tara Chowdhury

As a creator, Purobi Tara Chowdhury has an endless fascination for words, enjoying nuances, the melody and lilt of words in different languages, and the imagery which words conjure up. Words have a different magic, all their own, and spur on a listener’s imagination, in different ways, feels Purobi.
Purobi Tara Chowdhury taught Communicative English and English as a secondary language for over fourteen years (2005-2019) as an English Language Instructor with inlingua, an International Language School in New Delhi.
Earlier, she was a freelance Features Writer on cuisine, art, travel and corporate personalities with The Hindu Business Line’s supplement, Life.
Purobi is an alumnus of the Jawaharlal Nehru University, New Delhi. She completed a Certificate Course in Art Appreciation from the National Gallery of Modern Art ( NGMA), New Delhi.
Purobi’s interests include films, music, art, poetry, nature photography and haiku.
Her poems have been featured in an anthology called Heartstrings
Half Truth
I am sorry, my lord, but I can only swear
–B Hariharan
By the half-truth that has engendered me.
There were three lakh ninety three thousand
six hundred and sixty of us
readied for an epic battle that lasted eighteen days.
I remember it clearly –
Half-truths cannot be forgotten –
It was the fifteenth day
As the casualties mounted
With strikes and counter strikes
And no end in sight.
Much the same as what you read in newspapers today:
The only difference is that there is no more counting.
The software to tally the death toll does not work;
I have no apology for being up-to-date.
You must realize I have been around for some time
Yet it is your will to wipe me off your vision.
I have not forgotten after all these years:
After telling, retelling, then telling again,
I was named into an existence not my own.
It stuck like nothing before, a blot as black as ever.
Isn’t it strange to be whispered a name, an identity?
I don’t remember my lot having such names.
The bearer of my name, the epic tells,
Wanders, condemned to immortality.
We are called other names now.
The stigma is still there
For no fault of mine.
I plead not guilty.
Did something of that curse touch us?
Condemned to corridors, reserves, zoos,
The depleting forest cover,
The estates and plantations come in our way:
We wander in search of food and water.
How would you look at us now?
The ears that hear
I hear you, I hear you,
Despite the chaos all around
To which I must turn a blind eye
And wear the blindfold of Dhritarashtra
To keep his Queen Gandhari, company.
And the scales of Justice are tipped
In all fairness, by one blindfolded.
O progeny of Ashwathama
Condemned to immortality
By one who had sworn his allegiance to Truth
As I have mine, I listen
And I hear in all earnest.
I hear the trumpeting calls of the wild
The distress in those sounds
Carried to my ears, when the night is silent
And I am bound by the oath have taken
The pledge to save humanity from itself.
I hear you, I hear you
In the stories my forefathers told
Of a brave elephant whose life was sacrificed
So that the honor on the battlefield would uphold
And the mighty would lay down their arms
Come out, vulnerable and bare
On a half truth that travelled through cries that rent the air
Ashwathama ( the elephant) is dead.
I hear you, O Elephas, Chinnakomban, Arikomban
All the identities you carry and that you dare
To challenge, as you stand before me, humble and aware.
Your petition carries the might and the weight
Of all the elephant warriors, lakhs before you who met their fate
You, Elephas, are not to be doomed
I listen and I hear, even behind the blindfold
I will uphold the pledge as the Truth unfolds.
Purobi Tara Chowdhury
In response to B. Hariharan
To look in the eyes
Have you ever wondered how I see you?
How to see and what to see, that is the question:
I have no guile in my thoughts, words, or how I see.
Come, learn to look from my perspective.
You deck me, climb on my back with the deity
While another stands behind with other paraphernalia.
You behold me and say it is a majestic view; I can see it in your eyes.
You recognize in it elevation, then your elation.
But what have you seen of me?
My tusk and trunk? My skin?
And you say I am thick skinned. Pachyderm.
I can see how you see me from what you have made of me.
You make me into a presence. Present. And I search your eyes in vain.
I am absent in your eyes.
Tell me, are you looking at me?
Do you know how to look into my eyes?
Come, see how you look at yourself through my eyes.
B. HARIHARAN IN RESPONSE TO PUROBI TARA
The vision of the blind
I see you, I see you, I see you
In a thousand ways, in a thousand years
As elephant headed deity, to whom I bow
For the wealth and prosperity that I know
I know how to plunder from right under your nose
Just as the mouse gnaws at the modak, near your toes
I do this because I know of your generosity
So in your benign grace, I prostrate myself in your face.
I think you will turn a blind eye, that you cannot see
How I plunder from right under your feet
The land which you tread, and creatures dread
As you sway, from side to side, protecting your herd
I’m the one, I do not see, the lofty elephant’s generosity.
You see man is born with two eyes
But is blind till he dies
In some, in whom wisdom holds sway
The third eye, close to the temple, opens they say
But for others who touch their heads to the ground
And don’t see things, as you do, profound
Don’t know the tenderness of your gait
Who make you carry burdens, double your weight
O protector of mankind, my brothers have indeed lost their mind
They have lost it in the wind that whistles
Through fallen trees, they see it not
In your eyes, that gently weep
They call you crazy as you struggle to find
Lost ground, that was yours
But in reality, we humans are lost
In our absence of mind.
Purobi Tara Chowdhury in response to B. Hariharan
The colour of truth
The court is called into session.
Is it fair to ask the learned judge the colour of truth?
I have this doubt when I look at myself.
Even my tusk, I am told is ivory!
Yes, you very well know
I always carry a price on my head!
To tell the truth, I am always at risk
As there are many head-hunters around.
Is there a provision, I ask
To get Z category protection with black cats?
Allow me to ask you this as well:
Whose idea is the white elephant?
They roam freely in the country,
A part of the state machinery:
What remains is
The nirvana of stink sanitised incense sticks
Even when the coffers are emptied!
Objection, my Lord!
Objection overruled. Please continue.
As for the damage done to the system,
I reserve my comments
Caught as we are in the yarn,
Now blacker than our skin.
The galleys block us in big letters:
You stare at headlines, black in white.
I must trumpet this loud:
I still don’t know the colour of truth!
Know this then:
Truth is an unseen smudge in the edge.
Court adjourned sine die.
B Hariharan in response to Purobi Tara
Ebony and Ivory
Order, order, order
Where is the elephant
The one labelled crazy, Arikomban
And what has he done to upset humans
As they go about their lives in a manner hum drum.
Bring him in, bring him in
There’s no need for him to hide
If he does, man will skin him alive.
The time has come for him to speak
From Chinnakomban to Arikomban
This is not the time to be meek
I want everything in black and white
There should be no areas of grey
To him please do convey
If he wants to save his hide
From this creature called man, gone insane
Who is he to label and blame?
I hear thousands of cases, night and day
I cannot help but notice humans have gone astray
They lead the way, in this foot in mouth disease
They gag and hide the facts, and then declare the creature deceased.
So, Elephas, have your say
Beautiful creature, who once held sway
Over forested lands, so verdant and green
With your ivory tusks, you towered as queen.
Who dares bring you down
Said the judge with a frown, mankind will drown
If balance is not restored, and the color of truth
Must reign, in blue skies and green forests again
If Earth is to regain her pristine glory once again.
It is not you, Elephas or Arikomban to blame
We must banish the white elephant and restore your name
So that you can walk proud, and so can we
Hand in hand, Man and Nature, in harmony.
Purobi Tara in response to B. Hariharan
Paper elephant
The elephant endures in the mind
Taking many forms:
King, devotee, loner, rogue, and much more
Occupying spaces of the mind
And even the State emblem.
“Exhibits present in the case admitted”
The King Elephant in an old story attained moksha.
The caparisoned elephants roam all around
Still chained to custom:
What else is it but
The nourishment of the superego of a people?
Contradictions speak truths
The verdict has been pronounced.
Would paper elephant be another idiom?
B. HARIHARAN IN RESPONSE TO PUROBI TARA
